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PANNINI, Giovanni Paolo The Piazza and Church of Santa Maria Maggiore ch oil painting


The Piazza and Church of Santa Maria Maggiore ch
Painting ID::  8440
PANNINI, Giovanni Paolo
The Piazza and Church of Santa Maria Maggiore ch
1744 Oil on canvas Palazzo Quirinale, Rome

   
   
     

PANNINI, Giovanni Paolo Musical Fete oil painting


Musical Fete
Painting ID::  8441
PANNINI, Giovanni Paolo
Musical Fete
1747 Oil on canvas, 207 x 247 cm Mus??e du Louvre, Paris

   
   
     

PANNINI, Giovanni Paolo Apostle Paul Preaching on the Ruins af oil painting


Apostle Paul Preaching on the Ruins af
Painting ID::  8442
PANNINI, Giovanni Paolo
Apostle Paul Preaching on the Ruins af
1744 Oil on canvas, 64 x 83,5 cm The Hermitage, St. Petersburg

   
   
     

PANNINI, Giovanni Paolo Roma Antica af oil painting


Roma Antica af
Painting ID::  8443
PANNINI, Giovanni Paolo
Roma Antica af
c. 1755 Oil on canvas, 186 x 227 cam Staatsgalerie, Stuttgart

   
   
     

PANNINI, Giovanni Paolo Interior of Saint Peter's oil painting


Interior of Saint Peter's
Painting ID::  30619
PANNINI, Giovanni Paolo
Interior of Saint Peter's
mk68 Oil on canvas Venice. Ca'Rezzonico Museum 175 Italy

   
   
     

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     PANNINI, Giovanni Paolo
     Italian Neoclassical Painter, ca.1691-1765 was an Italian painter and architect, mainly known as one of the vedutisti or (veduta, or "view painters"). As a young man, Pannini trained in his native town of Piacenza as a stage designer. In 1711, he moved to Rome, where he studied drawing with Benedetto Luti and became famous as a decorator of palaces, including the Villa Patrizi (1718C1725) and the Palazzo de Carolis (1720). As a painter, Pannini is best known for his vistas of Rome, in which he took a particular interest in the city's antiquities. Among his most famous works are the interior of the Pantheon, and his vedute paintings of picture galleries containing views of Rome. Most of his works, specially those of ruins have a substantial fanciful and unreal embellishment characteristic of capriccio themes. In 1719, Pannini was admitted to the Congregazione dei Virtuosi al Pantheon. He taught in Rome at the Accademia di San Luca and the Academie de France, where he influenced Jean-Honore Fragonard. His studio included Hubert Robert and his son Francesco Panini. His style would influence a number of other vedutisti, such as his pupil Antonio Joli, as well as Canaletto and Bernardo Bellotto,

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